he is an open book. Never in all these years and with all the other students I have met did I hear anyone complain about having to sign the release.To help everyone understand Noel's position better, you should know that Noel spent several years putting together material that was to be a concertina tutor. I think there have been several (many?) !thank you both very much. from what i have learned from noel, i am able to go to sessions and make friends, and very many people always remember me for my "clare tunes." I have been an instructor in an unrelated field since 1976, and still occasionally help students over some rough spots in their endeavors, and now mostly instruct the instructors. i'm glad. I am very sorry to hear this. i cannot imagine that he would have a problem if i made my own scale chart or taught any one else to play. Otherwise what would stop someone from attending one year and then attempt to open one's own school using the information learned -- very much akin to Ken's experience.
Noel Hill Concertina School Sign in to follow this . I doubt that the non-disclosure restrictions would apply to other family members. i gave one piece of sheet music to a cousin of mine--but i gave the original. i know many people who are much more protective of their ideas--they just dont share them with their students.you can certainly pass on what you learned, and many have done so. The process of ornamentation and variation, often on the fly, to vary what are often simple enough basic melodies, would also indicate that no 'arrangement' is likely to be unique - it's all be done before, many times.his name escapes me,but I think it was the same man who was a neighbour of Paul Davis,from whom Paul also developed his Irish style.we must remember that there was a time when Noel did not play the concertina,he too had to learn from people,he did not just invent his style of playing,it evolved from listening and watching others,getting information from other people.paddy murphy sounds about right, but i dont know. you just cannot have a student and photocopy the sheet music or hand them a recording of noel's class and give them a photocopy of his fingering chart. It is quite an experience. Money and music can be awkward bedfellows. The concertina, like Irish music itself, is currently enjoying a tremendous increase in popularity, and Noel Hill is at the forefront of this movement, not only as an awe-inspiring performer but as teacher and a well respected authority on Ireland’s music. Aside from often not asking for my permission I think what irked me even more was the possibility they might substitute a cold media ie: taped performance, for future live performances. Free Shipping, Cash on Delivery Available. So his model does not fit me and I am frustrated with it and the paperwork. He makes a substantial portion of his annual income from teaching here in the states and he has every right to protect his source of income. It was into one of these households that Noel Hill was born, and as a young child Noel was forbidden to touch his older brother’s concertina.
Otherwise what would stop someone from attending one year and then attempt to open one's own school using the information learned -- very much akin to Ken's experience. But he couldn’t keep his hands off the instrument and was always stealing away with it.
I found it strange to get used to his preferred fingering method but I guess that's just a matter of practise, it did seem to make sense though. I made a full-time living performing American folk music for 30 years. What's all this stuff about copyright??? I'd like to take the class with him but I am challenged by my work sched and family life to peel away for a week with 1 of the kids. Think carefully .. before you risk jeopardising the thing you love most.It is reasonable for Noel Hill to ask students not to photocopy and distribute his actual written course material. Never in all these years did I feel that Noel was unreasonable in asking the students not to share his teaching materials or methods. "somebody please correct me if i have misinterpreted anything.and i'd like to agree, and say as a final note, that just because he has not made a book, does not mean he will not!after reading michael's thread, i must reconsider. i made no copy, and if she never gives it back, i will forever be without it.i know of several people, who are all in good standing with noel and even still attend his camp, that teach using his methods. there is a huge difference in that. What's all this stuff about copyright??? He now lives with his two children in Connemara in the Irish speaking region of southwest County Galway.Among the many concertinas that he plays, he has a miniature made by Charles Jeffries, which is 2 inches by 2 inches. The only session we had at NHICS Tilikum last year was the one I hosted, and even that only had a few players. It's interesting to me that corporations or magazines are good customers while well-intended environmental groups often rip him off after they discover he won't give them an image for free, or after he offers them a much reduced rate. as i posted in my other reply, noel's friendship is more important than me being allowed to photocopy some scale sheets. With my children....I never said Noel was unreasonable and I don't think it is a Release I think it is a Non-Disclosure.
i believe in the open exchange of ideas, but i also believe in holding one's own copyrights.it is very easy to read these discussions, and listen to hearsay, to think that he is closed with his ideas. I'd barely call myself a good student. He now lives with his two children in Connemara in the Irish speaking region of southwest County Galway. He can inspire great loyalty and provoke deep pique. Noel's history lessons and context for the tunes also provide a rich environment to grow your own interpretation of the music. One day when his brother was laboring through a hornpipe Noel gave himself away by taking the concertina and playing the tune with ease.
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