“All Too Well,” from 2012’s The standout “Seven” first presents itself as a wistful remembrance of childhood before revealing the complexities of what we lose as we age: “Picture me in the weeds/Before I learned civility/I used to scream ferociously/Whenever I wanted.” The song also presents a queer text within Swift’s songwriting for the first time, which broadens the narrative voices she’s employed over the course of her career. Rather than pulling her punches by repeating a catchy refrain or hook, she lets some of her bitterest lines linger, and it’s one of the album’s most impactful moments. And what better to announce that by going back to the brand that help introduce him. The base will rattle any trunk. It is said that he got fired from the same job three times.
Trap Or Die was the new standard to what you needed to accomplish to be that next guy. Reviewed in the United States on January 8, 2017. Once the trap is full, remove the bottom tray and top cap, snap the two pieces apart and dispose of the dead insects. )In melding traditional hip-hop form with just the right amount of modern trap verve, The album makes room for evocative, sensory lyrics and sonics that verge on the cinematic, but it also spends a lot of time on the mundane.The standout “Your Love (Déjà Vu)” perfectly encapsulates this threading of the needle, pairing twirling flute and celebratory, horn-like synths with lyrics such as, “I know you want one more night/And I’m backsliding/Into this just one more time.” The relationship described on the song is a momentary fix whose dwindling potency is conveyed by Glass Animals in such a way that suggests time is running out and that they’re making the absolute most of it.The singer’s new single is a deceptively hopeful tribute to personal independence.Like that song, “My Future” starts off as a dreary but gorgeous dirge, with Eilish’s soulful, layered vocals stacked on top of atmospheric keyboards. Before the Thugs were getting proper motivation in their intro class, Jeezy the Snow Man was making waves with his mixtape Trap or Die.He returns to the scene of the crime with Trap or Die Pt.
But There’s something intoxicating about Bright Eyes tripping back onto a (purely metaphorical) stage on the album’s first proper song, “Dance and Sing,” which opens with a throat-clearing sound check before kicking into gear: “Got to keep on going like it ain’t the end,” Oberst sings.
No, not Gangsta Grillz but The geek out of the bunch. Like a lot of mixtapes, Trap or Die II is too long, but unlike most, it's too long in a neat and orderly way, with almost all the strongest tracks front-loaded into the tape's first half. Halfway through, though, the track pivots to a spry midtempo shuffle, transforming into a deceptively hopeful tribute to personal independence: “I’m in love with my future/Can’t wait to meet her.” During a period in history when time itself seems to have come to a halt, and the future is uncertain, the song’s lyrics smack of irony: “I know supposedly I’m lonely now/Know I’m supposed to be unhappy without someone/But aren’t I someone?”Eilish gets even more animated in the music video for “My Future.” The clip, directed by Australian artist Andrew Onorato, is bathed in cool blue tones before a rainstorm gives way to a more colorful palette, matching the song’s shift in mood and tempo. For these folks, a live trap is more appealing. Plus the production is on point. The production of these songs, like much of the rest of the album, is unhurried, allowing Aminé to enunciate words fully, the percussion patiently churning and the guitar lines slowly strummed.Aminé isn’t quite as good a singer as he is a rapper, and certain songs, like “Compensating” and “Riri,” feel encumbered by their repetitive hooks. [I will make every attempt to ignore another drug rapper co-opting something from Malcolm X, particularly … In her isolation, Eilish appears to find solace, communing with and eventually becoming one with nature.The album anticipates questions surrounding the singer’s genre bona fides and leans into each contradiction.In other words, Swift’s at a point in her career where she knows chart success is incidental to broad cultural impact, and she has the cachet to sacrifice the former for the sake of the latter. A-list rapper brings his bulldozing delivery and deft ear for huge, gothic tracks to his new mixtape.Young Jeezy might have the most limited delivery of any A-list rapper, an aging-attack-dog wheeze that he uses to bulldoze through tracks, hardly ever varying cadence or intensity.
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